Drawing from my own photographs and those of Mauritian photographer Kevan Cadinouche, I created a series in which Mauritius moves beyond any documentary approach. Through collage, I fragment, rearrange, and layer images until a reimagined territory emerges—built from visual rhythms, chromatic tensions, and inner resonances.

Here, the image becomes a living material. The island is no longer a place but a constructed sensation, a mental landscape in constant transformation.